Reiner Maria Matysik

Born in Duisburg in 1967, he graduated from the Braunschweig University of Art. In 2003, he founded the Institute for Biological Sculpture (ibiop) there for the dialogue between scientific knowledge and artistic thinking. In 2004, he was awarded a Barkenhoff scholarship in conjunction with a residency at the Künstlerhäuser Worpswede. In 2009, Matysik was appointed visiting professor for sculpture at the FH KUNST Arnstadt for one year. Since 2016, he has been Professor of Three-Dimensional Design/Material. Form. Object at the Burg Giebichenstein University of Art and Design Halle. He lives and works in Berlin.

Exhibition view gallery: Drees - Wolke

Works in public space

  • et al. 2011 incephalus, m+p Ingenieure, Braunschweig
  • 2010 augenloses, Kunst am Bau, University of Freiburg, Centre for Biochemistry and Biology
    Molecular cell research
  • 1997 plum oval, Villa Haar, Weimar

Scholarships and awards (selection)

  • 2010 - Fellow at the Hanse-Wissenschaftskolleg, Delmenhorst
  • 2008 - International scholarship, Schöppingen
  • 2004 - Barkenhoff Scholarship Worpswede
  • 2000 - Project funding from the Art Fund Foundation
  • 2000 - Sponsorship award of the state of Lower Saxony for fine arts
  • 1996-1999 - Scholarship of the German National Academic Foundation

Exhibitions

2018 BIOLOGICAL SIGNS, ROOT Gallery Berlin (together with Ute Wöllmann)

He has exhibited in institutions such as the Gerhard-Marcks-Haus, Bremen; the Centre-PasquArt, Biel, Switzerland; the Neue Gesellschaft für Bildende Kunst, Berlin; the Projektraum Deutscher Künstlerbund, Laboratoria Moscow; the Museum Koenig in Bonn; the Georg-Kolbe-Museum, Berlin; the Künstlerhaus Bethanien, Berlin; the Staatliche Kunsthalle Baden-Baden; the Fondación César Manrique on Lanzarote; the Kunstverein Hannover; the Martin-Gropius-Bau, Berlin; the Kunsthalle Bern.

Participation in trade fairs

2019 art KARLSRUHE, Gallery ROOT Berlin

Artistic position

Reiner Maria Matysik continues the scientific discourse of evolution with artistic means. His work is diverse and includes sculptures made of modelling clay, plasticine, glass, spatial installations, photography and video art as well as art in public spaces. As an artist, he operates at the interface between art and science. His artistic concept is based on the assumption that life is in need of improvement and can be optimised through active constructive evolution. Using various materials, he creates models of possible future organisms, the prototype models of post-evolutionary life forms, and investigates and creates their habitats. Matysik's prototype models are embedded in a complexly elaborated cosmos; thoughts on the possibilities of the organic and the social also become texts, graphics and manifestos.

Exhibitions

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Finds - Archaeology of the future

2019-2023 - Coloured pencil on index card, 10.5 × 14.8 cm each, framed, drawing

 

Land series

2017-2021 - Ink & watercolour on magazine paper, each approx. 20 × 27 cm, framed, painting

Blue archive

2023 - Mixed media on paper, variable formats

Interior views

2020 - Object collages and drawing, installation

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